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    <title>loosy|goosy|ness - Blog - science</title>
    <link>http://www.loosy-goosy-ness.com/</link>
    <description>]..lost &amp; found in translation between bits &amp; bytes..[</description>
    <language>en-us</language>
    <copyright>Christian Maier</copyright>
    <lastBuildDate>Mon, 09 Aug 2010 17:42:39 GMT</lastBuildDate>
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      <dc:creator>Christian</dc:creator>
      <body xmlns="http://www.w3.org/1999/xhtml">
        <p>
Let's face it: <a href="http://www.giss.nasa.gov/research/news/20100121/">The planet
is heating up</a>, Earth's population is expanding at an exponential rate, and the
the natural resources vital to our survival are running out faster than we can replace
them with sustainable alternatives. Even if the human race manages not to push itself <a href="http://bigthink.com/series/31?selected=18972#player">to
the brink of nuclear extinction</a>, it is still a foregone conclusion that our aging
sun <a href="http://bigthink.com/series/31?selected=18970#player">will expand and
swallow the Earth</a> in roughly 7.6 billion years.
</p>
        <p>
So, according to famed theoretical physicist <a href="http://bigthink.com/stephenhawking">Stephen
Hawking</a>, it's time to free ourselves from Mother Earth. "I believe that the
long-term future of the human race must be in space," Hawking tells Big Think.
"It will be difficult enough to avoid disaster on planet Earth in the next hundred
years, let alone the next thousand, or million. The human race shouldn't have all
its eggs in one basket, or on one planet. Let's hope we can avoid dropping the basket
until we have spread the load." 
<br />
Hawking says he is an optimist, but his outlook for the future of man's existence
is fairly bleak. In the recent past, humankind's survival has been nothing short of
"a question of touch and go" he says, citing the Cuban Missile Crisis in
1963 as just one example of how man has narrowly escaped extinction. According to
the Federation of American Scientists <a href="http://www.fas.org/programs/ssp/nukes/nuclearweapons/nukestatus.html">there
are still about 22,600 stockpiled nuclear weapons scattered around the planet, 7,770
of which are still operational</a>. In light of the inability of nuclear states to
commit to a global nuclear non-proliferation treaty, the threat of a nuclear holocaust
has not subsided. 
<br />
In fact, "the frequency of such occasions is likely to increase in the future,"
says Hawking, "We shall need great care and judgment to negotiate them all successfully." 
</p>
        <p>
Even if humans manage to avoid a nuclear stand-off over the next thousand years, our
fate on this planet is still pretty much certain. University of Sussex astrophysicist
Dr. Robert Smith says eventually the aging Sun will accelerate global warming to a
point where all of Earth's water will simply evaporate. 
<br />
"Life on Earth will have disappeared long before 7.6 billion years," says
Smith, "Scientists have shown that the Sun's slow expansion will cause the temperature
at the surface of the Earth to rise. Oceans will evaporate, and the atmosphere will
become laden with water vapor, which (like carbon dioxide) is a very effective greenhouse
gas. Eventually, the oceans will boil dry and the water vapor will escape into space.
In a billion years from now the Earth will be a very hot, dry and uninhabitable ball." 
<br />
Finally, between the next thousand years or so that Hawking says it will take man
to make the planet uninhabitable and the billion years it will take for the sun to
turn our planet into an arid wasteland, there is always the chance that <a href="http://bigthink.com/series/31?selected=18969#player">a
nearby supernova</a>, <a href="http://bigthink.com/series/31?selected=18968#player">an
asteroid</a>, or a <a href="http://bigthink.com/series/31?selected=17080#player">quick
and painless black hole</a> could do us in. 
</p>
        <p>
          <em>
            <strong>Takeaway</strong>
            <br />
One way or another, the life on Earth will likely become uninhabitable for mankind
in the future. We need to start seriously thinking about how we will free ourselves
from the constraints of this dying planet</em>.   
</p>
        <p>
          <strong>Why We Should Reject This Idea </strong>
        </p>
        <p>
Despite what Hawking describes as humankind's "selfish and aggressive instinct,"
there may be some biological impediments to finding another planet to inhabit. 
<br />
"The nearest star [to Earth] is Proxima Centauri which is 4.2 light years away,"
says <a href="http://bigthink.com/katiefreese">University of Michigan astrophysicist
Katherine Freese</a>, "That means that, if you were traveling at the speed of
light the whole time, it would take 4.2 years to get there." 
<br />
Unfortunately, at the moment we can only travel at about ten thousandth of light speed,
which means if man were to use chemical fuel rockets similar to the those used during
the Apollo mission to the moon, the journey would take about 50,000 years. Without
the use of a science-fiction-like warp drive or cryogenic freezing technology, no
human would live long enough to survive the journey. In addition, "the radiation
you would encounter alone would kill you, even if you could get a rocket to go anywhere
near that fast," says Freese. 
<br />
On the upside, if man ever develops the technology to travel at the speed of light
while remaining shielded from cosmic radiation, he could effectively travel into the
future. "A five year trip at light speed could push an astronaut forward by 1000
earth years," says Freese, "If he wanted to see if any humans were still
around by then."
</p>
        <p>
          <strong>More Resources: 
<br /></strong>— <a href="http://www.hawking.org.uk/">Stephen Hawking's homepage</a>. 
<br />
— <a href="http://www-personal.umich.edu/~ktfreese/">Dr. Katherine Freese's homepage</a>.
</p>
        <p>
          <strong>Source:</strong>
          <a title="http://bigthink.com/ideas/21570" href="http://bigthink.com">http://bigthink.com</a>
        </p>
        <img width="0" height="0" src="http://www.loosy-goosy-ness.com/aggbug.ashx?id=314de6d8-4ea3-4b83-bcfb-cbecf2c42f83" />
      </body>
      <title>Stephen Hawking's Warning: Abandon Earth&amp;mdash;Or Face Extinction</title>
      <guid isPermaLink="false">http://www.loosy-goosy-ness.com/PermaLink,guid,314de6d8-4ea3-4b83-bcfb-cbecf2c42f83.aspx</guid>
      <link>http://www.loosy-goosy-ness.com/2010/08/09/StephenHawkingsWarningAbandonEarthmdashOrFaceExtinction.aspx</link>
      <pubDate>Mon, 09 Aug 2010 17:42:39 GMT</pubDate>
      <description>&lt;p&gt;
Let's face it: &lt;a href="http://www.giss.nasa.gov/research/news/20100121/"&gt;The planet
is heating up&lt;/a&gt;, Earth's population is expanding at an exponential rate, and the
the natural resources vital to our survival are running out faster than we can replace
them with sustainable alternatives. Even if the human race manages not to push itself &lt;a href="http://bigthink.com/series/31?selected=18972#player"&gt;to
the brink of nuclear extinction&lt;/a&gt;, it is still a foregone conclusion that our aging
sun &lt;a href="http://bigthink.com/series/31?selected=18970#player"&gt;will expand and
swallow the Earth&lt;/a&gt; in roughly 7.6 billion years.
&lt;/p&gt;
&lt;p&gt;
So, according to famed theoretical physicist &lt;a href="http://bigthink.com/stephenhawking"&gt;Stephen
Hawking&lt;/a&gt;, it's time to free ourselves from Mother Earth. &amp;quot;I believe that the
long-term future of the human race must be in space,&amp;quot; Hawking tells Big Think.
&amp;quot;It will be difficult enough to avoid disaster on planet Earth in the next hundred
years, let alone the next thousand, or million. The human race shouldn't have all
its eggs in one basket, or on one planet. Let's hope we can avoid dropping the basket
until we have spread the load.&amp;quot; 
&lt;br /&gt;
Hawking says he is an optimist, but his outlook for the future of man's existence
is fairly bleak. In the recent past, humankind's survival has been nothing short of
&amp;quot;a question of touch and go&amp;quot; he says, citing the Cuban Missile Crisis in
1963 as just one example of how man has narrowly escaped extinction. According to
the Federation of American Scientists &lt;a href="http://www.fas.org/programs/ssp/nukes/nuclearweapons/nukestatus.html"&gt;there
are still about 22,600 stockpiled nuclear weapons scattered around the planet, 7,770
of which are still operational&lt;/a&gt;. In light of the inability of nuclear states to
commit to a global nuclear non-proliferation treaty, the threat of a nuclear holocaust
has not subsided. 
&lt;br /&gt;
In fact, &amp;quot;the frequency of such occasions is likely to increase in the future,&amp;quot;
says Hawking, &amp;quot;We shall need great care and judgment to negotiate them all successfully.&amp;quot; 
&lt;/p&gt;
&lt;p&gt;
Even if humans manage to avoid a nuclear stand-off over the next thousand years, our
fate on this planet is still pretty much certain. University of Sussex astrophysicist
Dr. Robert Smith says eventually the aging Sun will accelerate global warming to a
point where all of Earth's water will simply evaporate. 
&lt;br /&gt;
&amp;quot;Life on Earth will have disappeared long before 7.6 billion years,&amp;quot; says
Smith, &amp;quot;Scientists have shown that the Sun's slow expansion will cause the temperature
at the surface of the Earth to rise. Oceans will evaporate, and the atmosphere will
become laden with water vapor, which (like carbon dioxide) is a very effective greenhouse
gas. Eventually, the oceans will boil dry and the water vapor will escape into space.
In a billion years from now the Earth will be a very hot, dry and uninhabitable ball.&amp;quot; 
&lt;br /&gt;
Finally, between the next thousand years or so that Hawking says it will take man
to make the planet uninhabitable and the billion years it will take for the sun to
turn our planet into an arid wasteland, there is always the chance that &lt;a href="http://bigthink.com/series/31?selected=18969#player"&gt;a
nearby supernova&lt;/a&gt;, &lt;a href="http://bigthink.com/series/31?selected=18968#player"&gt;an
asteroid&lt;/a&gt;, or a &lt;a href="http://bigthink.com/series/31?selected=17080#player"&gt;quick
and painless black hole&lt;/a&gt; could do us in. 
&lt;/p&gt;
&lt;p&gt;
&lt;em&gt;&lt;strong&gt;Takeaway&lt;/strong&gt; 
&lt;br /&gt;
One way or another, the life on Earth will likely become uninhabitable for mankind
in the future. We need to start seriously thinking about how we will free ourselves
from the constraints of this dying planet&lt;/em&gt;.&amp;#160;&amp;#160; 
&lt;/p&gt;
&lt;p&gt;
&lt;strong&gt;Why We Should Reject This Idea &lt;/strong&gt;
&lt;/p&gt;
&lt;p&gt;
Despite what Hawking describes as humankind's &amp;quot;selfish and aggressive instinct,&amp;quot;
there may be some biological impediments to finding another planet to inhabit. 
&lt;br /&gt;
&amp;quot;The nearest star [to Earth] is Proxima Centauri which is 4.2 light years away,&amp;quot;
says &lt;a href="http://bigthink.com/katiefreese"&gt;University of Michigan astrophysicist
Katherine Freese&lt;/a&gt;, &amp;quot;That means that, if you were traveling at the speed of
light the whole time, it would take 4.2 years to get there.&amp;quot; 
&lt;br /&gt;
Unfortunately, at the moment we can only travel at about ten thousandth of light speed,
which means if man were to use chemical fuel rockets similar to the those used during
the Apollo mission to the moon, the journey would take about 50,000 years. Without
the use of a science-fiction-like warp drive or cryogenic freezing technology, no
human would live long enough to survive the journey. In addition, &amp;quot;the radiation
you would encounter alone would kill you, even if you could get a rocket to go anywhere
near that fast,&amp;quot; says Freese. 
&lt;br /&gt;
On the upside, if man ever develops the technology to travel at the speed of light
while remaining shielded from cosmic radiation, he could effectively travel into the
future. &amp;quot;A five year trip at light speed could push an astronaut forward by 1000
earth years,&amp;quot; says Freese, &amp;quot;If he wanted to see if any humans were still
around by then.&amp;quot;
&lt;/p&gt;
&lt;p&gt;
&lt;strong&gt;More Resources: 
&lt;br /&gt;
&lt;/strong&gt;— &lt;a href="http://www.hawking.org.uk/"&gt;Stephen Hawking's homepage&lt;/a&gt;. 
&lt;br /&gt;
— &lt;a href="http://www-personal.umich.edu/~ktfreese/"&gt;Dr. Katherine Freese's homepage&lt;/a&gt;.
&lt;/p&gt;
&lt;p&gt;
&lt;strong&gt;Source:&lt;/strong&gt; &lt;a title="http://bigthink.com/ideas/21570" href="http://bigthink.com"&gt;http://bigthink.com&lt;/a&gt;
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.loosy-goosy-ness.com/aggbug.ashx?id=314de6d8-4ea3-4b83-bcfb-cbecf2c42f83" /&gt;</description>
      <category>EN</category>
      <category>science</category>
    </item>
    <item>
      <trackback:ping>http://www.loosy-goosy-ness.com/Trackback.aspx?guid=28d87931-c3d2-4434-b37e-dd1de4e8074d</trackback:ping>
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      <dc:creator>Christian</dc:creator>
      <body xmlns="http://www.w3.org/1999/xhtml">
        <p>
[QUOTE] 
<br /><img height="120" src="http://gizmodo.com/assets/resources/2008/07/EPOXItimelapse3.jpg" width="540" /></p>
        <p>
We don't have too many cameras out there in space past the moon, which is why most
of our space shots are either looking outward, such as the shots taken by Hubble,
or taken of Earth from the moon or closer. Which is why this video is so astounding.
It's a video of the moon passing directly in front of the Earth, taken by NASA's EPOXI
spacecraft from a whopping 31 million miles away.
</p>
        <p>
          <embed src="http://www.youtube.com/v/MEcqWuYqrSo&amp;hl=en&amp;fs=1" width="425" height="344" type="application/x-shockwave-flash" allowfullscreen="true" />
        </p>
        <p>
The quality isn't the best, but it doesn't need to be; it's still absolutely breathtaking.
This is an alien's-eye view, my friends, seen for the very first time. Amazing. 
<br />
[/QUOTE]
</p>
        <p>
          <strong>Source:</strong>
          <a href="http://blogs.discovermagazine.com/badastronomy/2008/07/17/holy-frak-moon-transits-earth/">Bad
Astronomy</a> via <a href="http://www.neatorama.com/2008/07/17/moon-transits-earth/">Neatorama</a></p>
        <img width="0" height="0" src="http://www.loosy-goosy-ness.com/aggbug.ashx?id=28d87931-c3d2-4434-b37e-dd1de4e8074d" />
      </body>
      <title>Video of the Moon Passing in Front of the Earth Taken From 31 Million Miles Away</title>
      <guid isPermaLink="false">http://www.loosy-goosy-ness.com/PermaLink,guid,28d87931-c3d2-4434-b37e-dd1de4e8074d.aspx</guid>
      <link>http://www.loosy-goosy-ness.com/2008/07/18/VideoOfTheMoonPassingInFrontOfTheEarthTakenFrom31MillionMilesAway.aspx</link>
      <pubDate>Fri, 18 Jul 2008 23:47:13 GMT</pubDate>
      <description>&lt;p&gt;
[QUOTE] 
&lt;br /&gt;
&lt;img height="120" src="http://gizmodo.com/assets/resources/2008/07/EPOXItimelapse3.jpg" width="540" /&gt;
&lt;/p&gt;
&lt;p&gt;
We don't have too many cameras out there in space past the moon, which is why most
of our space shots are either looking outward, such as the shots taken by Hubble,
or taken of Earth from the moon or closer. Which is why this video is so astounding.
It's a video of the moon passing directly in front of the Earth, taken by NASA's EPOXI
spacecraft from a whopping 31 million miles away.
&lt;/p&gt;
&lt;p&gt;
&lt;embed src="http://www.youtube.com/v/MEcqWuYqrSo&amp;amp;hl=en&amp;amp;fs=1" width="425" height="344" type="application/x-shockwave-flash" allowfullscreen="true" /&gt;
&lt;/p&gt;
&lt;p&gt;
The quality isn't the best, but it doesn't need to be; it's still absolutely breathtaking.
This is an alien's-eye view, my friends, seen for the very first time. Amazing. 
&lt;br /&gt;
[/QUOTE]
&lt;/p&gt;
&lt;p&gt;
&lt;strong&gt;Source:&lt;/strong&gt; &lt;a href="http://blogs.discovermagazine.com/badastronomy/2008/07/17/holy-frak-moon-transits-earth/"&gt;Bad
Astronomy&lt;/a&gt; via &lt;a href="http://www.neatorama.com/2008/07/17/moon-transits-earth/"&gt;Neatorama&lt;/a&gt;
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.loosy-goosy-ness.com/aggbug.ashx?id=28d87931-c3d2-4434-b37e-dd1de4e8074d" /&gt;</description>
      <category>EN</category>
      <category>science</category>
      <category>tech</category>
    </item>
    <item>
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      <dc:creator>Christian</dc:creator>
      <body xmlns="http://www.w3.org/1999/xhtml">
        <p>
[QUOTE] 
<br />
Asteroid 2007 TU24, discovered by the Catalina Sky Survey on October 11, 2007 will
closely approach the Earth to within 1.4 lunar distances (334,000 miles) on 2008 Jan.
29 08:33 UT. This object, between 150 and 600 meters in diameter, will reach an approximate
apparent magnitude 10.3 on Jan. 29-30 before quickly becoming fainter as it moves
further from Earth. For a brief time the asteroid will be observable in dark and clear
skies with amateur telescopes of 3 inch apertures or larger. 
</p>
        <p>
For an interactive illustration of this object's orbit see: 
</p>
        <p>
          <a href="http://ssd.jpl.nasa.gov/sbdb.cgi?sstr=2007+TU24&amp;orb=1">http://ssd.jpl.nasa.gov/sbdb.cgi?sstr=2007+TU24&amp;orb=1</a>
        </p>
        <p>
The illustration below is courtesy of amateur astronomer Dr. Dale Ireland from Silverdale,
WA. The illustration shows the asteroid's track on the sky for 3 days near the time
of the close Earth approach as seen from the city of Philadelphia. Since the object's
parallax will be a significant fraction of a degree, observers are encouraged to use
our on-line Horizons ephemeris generation service for their specific locations. These
personalized ephemeris tables can be generated at: <a href="http://ssd.jpl.nasa.gov/horizons.cgi?find_body=1&amp;body_group=sb&amp;sstr=2007%20TU24">http://ssd.jpl.nasa.gov/horizons.cgi?find_body=1&amp;body_group=sb&amp;sstr=2007%20TU24</a></p>
        <p align="center">
          <a href="http://neo.jpl.nasa.gov/images/2007tu24.jpg" target="_blank">
            <img src="http://neo.jpl.nasa.gov/images/2007tu24_s.jpg" />
          </a>
        </p>
        <p>
Given the estimated number of near-Earth asteroids of this size (about 7,000 discovered
and undiscovered objects), an object of this size would be expected to pass this close
to Earth, on average, about every 5 years or so. The average interval between actual
Earth impacts for an object of this size would be about 37,000 years. For the January
29th encounter, near Earth asteroid 2007 TU24 has no chance of hitting, or affecting,
Earth. 
</p>
        <p>
2007 TU24 will be the closest currently known approach by a potentially hazardous
asteroid of this size or larger until 2027. Plans have been made for the Goldstone
planetary radar to observe this object Jan 23-24 and for the Arecibo radar to observe
it Jan 27-28 and then Feb 1-4. High resolution radar imaging is expected, which may
permit later 3-D shape reconstruction. 
<br />
[/QUOTE]
</p>
        <p>
          <strong>Source:</strong>
          <a title="http://neo.jpl.nasa.gov/news/news157.html" href="http://neo.jpl.nasa.gov/news/">http://neo.jpl.nasa.gov/news/</a>
        </p>
        <img width="0" height="0" src="http://www.loosy-goosy-ness.com/aggbug.ashx?id=4ba2dc33-27a2-439a-99de-2753f9a94e9a" />
      </body>
      <title>Near-Earth Asteroid to Pass Close to Earth on Jan. 29</title>
      <guid isPermaLink="false">http://www.loosy-goosy-ness.com/PermaLink,guid,4ba2dc33-27a2-439a-99de-2753f9a94e9a.aspx</guid>
      <link>http://www.loosy-goosy-ness.com/2008/01/25/NearEarthAsteroidToPassCloseToEarthOnJan29.aspx</link>
      <pubDate>Fri, 25 Jan 2008 15:17:03 GMT</pubDate>
      <description>&lt;p&gt;
[QUOTE] 
&lt;br /&gt;
Asteroid 2007 TU24, discovered by the Catalina Sky Survey on October 11, 2007 will
closely approach the Earth to within 1.4 lunar distances (334,000 miles) on 2008 Jan.
29 08:33 UT. This object, between 150 and 600 meters in diameter, will reach an approximate
apparent magnitude 10.3 on Jan. 29-30 before quickly becoming fainter as it moves
further from Earth. For a brief time the asteroid will be observable in dark and clear
skies with amateur telescopes of 3 inch apertures or larger. 
&lt;/p&gt;
&lt;p&gt;
For an interactive illustration of this object's orbit see: 
&lt;/p&gt;
&lt;p&gt;
&lt;a href="http://ssd.jpl.nasa.gov/sbdb.cgi?sstr=2007+TU24&amp;amp;orb=1"&gt;http://ssd.jpl.nasa.gov/sbdb.cgi?sstr=2007+TU24&amp;amp;orb=1&lt;/a&gt;
&lt;/p&gt;
&lt;p&gt;
The illustration below is courtesy of amateur astronomer Dr. Dale Ireland from Silverdale,
WA. The illustration shows the asteroid's track on the sky for 3 days near the time
of the close Earth approach as seen from the city of Philadelphia. Since the object's
parallax will be a significant fraction of a degree, observers are encouraged to use
our on-line Horizons ephemeris generation service for their specific locations. These
personalized ephemeris tables can be generated at: &lt;a href="http://ssd.jpl.nasa.gov/horizons.cgi?find_body=1&amp;amp;body_group=sb&amp;amp;sstr=2007%20TU24"&gt;http://ssd.jpl.nasa.gov/horizons.cgi?find_body=1&amp;amp;body_group=sb&amp;amp;sstr=2007%20TU24&lt;/a&gt;
&lt;/p&gt;
&lt;p align="center"&gt;
&lt;a href="http://neo.jpl.nasa.gov/images/2007tu24.jpg" target="_blank"&gt;&lt;img src="http://neo.jpl.nasa.gov/images/2007tu24_s.jpg" /&gt;&lt;/a&gt;
&lt;/p&gt;
&lt;p&gt;
Given the estimated number of near-Earth asteroids of this size (about 7,000 discovered
and undiscovered objects), an object of this size would be expected to pass this close
to Earth, on average, about every 5 years or so. The average interval between actual
Earth impacts for an object of this size would be about 37,000 years. For the January
29th encounter, near Earth asteroid 2007 TU24 has no chance of hitting, or affecting,
Earth. 
&lt;/p&gt;
&lt;p&gt;
2007 TU24 will be the closest currently known approach by a potentially hazardous
asteroid of this size or larger until 2027. Plans have been made for the Goldstone
planetary radar to observe this object Jan 23-24 and for the Arecibo radar to observe
it Jan 27-28 and then Feb 1-4. High resolution radar imaging is expected, which may
permit later 3-D shape reconstruction. 
&lt;br /&gt;
[/QUOTE]
&lt;/p&gt;
&lt;p&gt;
&lt;strong&gt;Source:&lt;/strong&gt; &lt;a title="http://neo.jpl.nasa.gov/news/news157.html" href="http://neo.jpl.nasa.gov/news/"&gt;http://neo.jpl.nasa.gov/news/&lt;/a&gt;
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.loosy-goosy-ness.com/aggbug.ashx?id=4ba2dc33-27a2-439a-99de-2753f9a94e9a" /&gt;</description>
      <category>EN</category>
      <category>science</category>
    </item>
    <item>
      <trackback:ping>http://www.loosy-goosy-ness.com/Trackback.aspx?guid=61900de2-1357-47e6-832a-013818ebc2c8</trackback:ping>
      <pingback:server>http://www.loosy-goosy-ness.com/pingback.aspx</pingback:server>
      <pingback:target>http://www.loosy-goosy-ness.com/PermaLink,guid,61900de2-1357-47e6-832a-013818ebc2c8.aspx</pingback:target>
      <dc:creator>Christian</dc:creator>
      <body xmlns="http://www.w3.org/1999/xhtml">
        <p>
[QUOTE] 
<br />
Movie characters from the Terminator to the Bionic Woman use bionic eyes to zoom in
on far-off scenes, have useful facts pop into their field of view, or create virtual
crosshairs. Off the screen, virtual displays have been proposed for more practical
purposes -- visual aids to help vision-impaired people, holographic driving control
panels and even as a way to surf the Web on the go. 
</p>
        <p align="center">
          <img src="http://uwnews.org/images/newsreleases/2008/January/20080117_pid39099_aid39094_contact2_w250.jpg" border="1" />
          <br />
          <em>Contact lenses with metal connectors for electronic circuits were safely worn
by rabbits in lab tests.</em>
        </p>
        <p>
The device to make this happen may be familiar. Engineers at the University of Washington
have for the first time used manufacturing techniques at microscopic scales to combine
a flexible, biologically safe contact lens with an imprinted electronic circuit and
lights. 
</p>
        <p>
"Looking through a completed lens, you would see what the display is generating
superimposed on the world outside," said Babak Parviz, a UW assistant professor
of electrical engineering. "This is a very small step toward that goal, but I
think it's extremely promising." The results were presented today at the Institute
of Electrical and Electronics Engineers' international conference on Micro Electro
Mechanical Systems by Harvey Ho, a former graduate student of Parviz's now working
at Sandia National Laboratories in Livermore, Calif. Other co-authors are Ehsan Saeedi
and Samuel Kim in the UW's electrical engineering department and Tueng Shen in the
UW Medical Center's ophthalmology department. 
</p>
        <p>
There are many possible uses for virtual displays. Drivers or pilots could see a vehicle's
speed projected onto the windshield. Video-game companies could use the contact lenses
to completely immerse players in a virtual world without restricting their range of
motion. And for communications, people on the go could surf the Internet on a midair
virtual display screen that only they would be able to see. 
</p>
        <p>
"People may find all sorts of applications for it that we have not thought about.
Our goal is to demonstrate the basic technology and make sure it works and that it's
safe," said Parviz, who heads a multi-disciplinary UW group that is developing
electronics for contact lenses. 
</p>
        <p align="center">
          <img src="http://uwnews.org/images/newsreleases/2008/January/20080117_pid39104_aid39094_contactlenshand_w250.jpg" border="1" />
          <br />
          <em>A researcher holds one of the completed lenses.</em>
        </p>
        <p>
The prototype device contains an electric circuit as well as red light-emitting diodes
for a display, though it does not yet light up. The lenses were tested on rabbits
for up to 20 minutes and the animals showed no adverse effects. 
</p>
        <p>
Ideally, installing or removing the bionic eye would be as easy as popping a contact
lens in or out, and once installed the wearer would barely know the gadget was there,
Parviz said. 
</p>
        <p>
Building the lenses was a challenge because materials that are safe for use in the
body, such as the flexible organic materials used in contact lenses, are delicate.
Manufacturing electrical circuits, however, involves inorganic materials, scorching
temperatures and toxic chemicals. Researchers built the circuits from layers of metal
only a few nanometers thick, about one thousandth the width of a human hair, and constructed
light-emitting diodes one third of a millimeter across. They then sprinkled the grayish
powder of electrical components onto a sheet of flexible plastic. The shape of each
tiny component dictates which piece it can attach to, a microfabrication technique
known as self-assembly. Capillary forces -- the same type of forces that make water
move up a plant's roots, and that cause the edge of a glass of water to curve upward
-- pull the pieces into position. 
</p>
        <p>
The prototype contact lens does not correct the wearer's vision, but the technique
could be used on a corrective lens, Parviz said. And all the gadgetry won't obstruct
a person's view. 
</p>
        <p>
"There is a large area outside of the transparent part of the eye that we can
use for placing instrumentation," Parviz said. Future improvements will add wireless
communication to and from the lens. The researchers hope to power the whole system
using a combination of radio-frequency power and solar cells placed on the lens, Parviz
said. 
</p>
        <p>
A full-fledged display won't be available for a while, but a version that has a basic
display with just a few pixels could be operational "fairly quickly," according
to Parviz. 
</p>
        <p>
The research was funded by the National Science Foundation and a Technology Gap Innovation
Fund from the University of Washington. 
<br />
[/QUOTE]
</p>
        <p>
          <strong>Source:</strong>
          <a title="http://uwnews.washington.edu/ni/article.asp?articleID=39094" href="http://uwnews.washington.edu/">http://uwnews.washington.edu/</a>
        </p>
        <img width="0" height="0" src="http://www.loosy-goosy-ness.com/aggbug.ashx?id=61900de2-1357-47e6-832a-013818ebc2c8" />
      </body>
      <title>Contact lenses with circuits, lights a possible platform for superhuman vision</title>
      <guid isPermaLink="false">http://www.loosy-goosy-ness.com/PermaLink,guid,61900de2-1357-47e6-832a-013818ebc2c8.aspx</guid>
      <link>http://www.loosy-goosy-ness.com/2008/01/21/ContactLensesWithCircuitsLightsAPossiblePlatformForSuperhumanVision.aspx</link>
      <pubDate>Mon, 21 Jan 2008 10:46:57 GMT</pubDate>
      <description>&lt;p&gt;
[QUOTE] 
&lt;br /&gt;
Movie characters from the Terminator to the Bionic Woman use bionic eyes to zoom in
on far-off scenes, have useful facts pop into their field of view, or create virtual
crosshairs. Off the screen, virtual displays have been proposed for more practical
purposes -- visual aids to help vision-impaired people, holographic driving control
panels and even as a way to surf the Web on the go. 
&lt;/p&gt;
&lt;p align="center"&gt;
&lt;img src="http://uwnews.org/images/newsreleases/2008/January/20080117_pid39099_aid39094_contact2_w250.jpg" border="1" /&gt; 
&lt;br /&gt;
&lt;em&gt;Contact lenses with metal connectors for electronic circuits were safely worn
by rabbits in lab tests.&lt;/em&gt;
&lt;/p&gt;
&lt;p&gt;
The device to make this happen may be familiar. Engineers at the University of Washington
have for the first time used manufacturing techniques at microscopic scales to combine
a flexible, biologically safe contact lens with an imprinted electronic circuit and
lights. 
&lt;/p&gt;
&lt;p&gt;
&amp;quot;Looking through a completed lens, you would see what the display is generating
superimposed on the world outside,&amp;quot; said Babak Parviz, a UW assistant professor
of electrical engineering. &amp;quot;This is a very small step toward that goal, but I
think it's extremely promising.&amp;quot; The results were presented today at the Institute
of Electrical and Electronics Engineers' international conference on Micro Electro
Mechanical Systems by Harvey Ho, a former graduate student of Parviz's now working
at Sandia National Laboratories in Livermore, Calif. Other co-authors are Ehsan Saeedi
and Samuel Kim in the UW's electrical engineering department and Tueng Shen in the
UW Medical Center's ophthalmology department. 
&lt;/p&gt;
&lt;p&gt;
There are many possible uses for virtual displays. Drivers or pilots could see a vehicle's
speed projected onto the windshield. Video-game companies could use the contact lenses
to completely immerse players in a virtual world without restricting their range of
motion. And for communications, people on the go could surf the Internet on a midair
virtual display screen that only they would be able to see. 
&lt;/p&gt;
&lt;p&gt;
&amp;quot;People may find all sorts of applications for it that we have not thought about.
Our goal is to demonstrate the basic technology and make sure it works and that it's
safe,&amp;quot; said Parviz, who heads a multi-disciplinary UW group that is developing
electronics for contact lenses. 
&lt;/p&gt;
&lt;p align="center"&gt;
&lt;img src="http://uwnews.org/images/newsreleases/2008/January/20080117_pid39104_aid39094_contactlenshand_w250.jpg" border="1" /&gt; 
&lt;br /&gt;
&lt;em&gt;A researcher holds one of the completed lenses.&lt;/em&gt;
&lt;/p&gt;
&lt;p&gt;
The prototype device contains an electric circuit as well as red light-emitting diodes
for a display, though it does not yet light up. The lenses were tested on rabbits
for up to 20 minutes and the animals showed no adverse effects. 
&lt;/p&gt;
&lt;p&gt;
Ideally, installing or removing the bionic eye would be as easy as popping a contact
lens in or out, and once installed the wearer would barely know the gadget was there,
Parviz said. 
&lt;/p&gt;
&lt;p&gt;
Building the lenses was a challenge because materials that are safe for use in the
body, such as the flexible organic materials used in contact lenses, are delicate.
Manufacturing electrical circuits, however, involves inorganic materials, scorching
temperatures and toxic chemicals. Researchers built the circuits from layers of metal
only a few nanometers thick, about one thousandth the width of a human hair, and constructed
light-emitting diodes one third of a millimeter across. They then sprinkled the grayish
powder of electrical components onto a sheet of flexible plastic. The shape of each
tiny component dictates which piece it can attach to, a microfabrication technique
known as self-assembly. Capillary forces -- the same type of forces that make water
move up a plant's roots, and that cause the edge of a glass of water to curve upward
-- pull the pieces into position. 
&lt;/p&gt;
&lt;p&gt;
The prototype contact lens does not correct the wearer's vision, but the technique
could be used on a corrective lens, Parviz said. And all the gadgetry won't obstruct
a person's view. 
&lt;/p&gt;
&lt;p&gt;
&amp;quot;There is a large area outside of the transparent part of the eye that we can
use for placing instrumentation,&amp;quot; Parviz said. Future improvements will add wireless
communication to and from the lens. The researchers hope to power the whole system
using a combination of radio-frequency power and solar cells placed on the lens, Parviz
said. 
&lt;/p&gt;
&lt;p&gt;
A full-fledged display won't be available for a while, but a version that has a basic
display with just a few pixels could be operational &amp;quot;fairly quickly,&amp;quot; according
to Parviz. 
&lt;/p&gt;
&lt;p&gt;
The research was funded by the National Science Foundation and a Technology Gap Innovation
Fund from the University of Washington. 
&lt;br /&gt;
[/QUOTE]
&lt;/p&gt;
&lt;p&gt;
&lt;strong&gt;Source:&lt;/strong&gt; &lt;a title="http://uwnews.washington.edu/ni/article.asp?articleID=39094" href="http://uwnews.washington.edu/"&gt;http://uwnews.washington.edu/&lt;/a&gt;
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.loosy-goosy-ness.com/aggbug.ashx?id=61900de2-1357-47e6-832a-013818ebc2c8" /&gt;</description>
      <category>EN</category>
      <category>science</category>
      <category>tech</category>
    </item>
    <item>
      <trackback:ping>http://www.loosy-goosy-ness.com/Trackback.aspx?guid=36b6d363-dc35-4eef-81d8-158376c3a29d</trackback:ping>
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      <dc:creator>Christian</dc:creator>
      <body xmlns="http://www.w3.org/1999/xhtml">
        <p>
          <strong>The Right Brain vs Left Brain test ... do you see the dancer turning clockwise
or anti-clockwise?</strong>
        </p>
        <p align="left">
          <img id="id" src="http://www.news.com.au/common/imagedata/0,,5675247,00.gif" />
        </p>
        <p>
If clockwise, then you use more of the right side of the brain and vice versa. 
<br />
Most of us would see the dancer turning anti-clockwise though you can try to focus
and change the direction; see if you can do it.
</p>
        <table cellspacing="0" cellpadding="2" width="400" border="0">
          <tbody>
            <tr>
              <td valign="top" width="200">
                <strong>LEFT BRAIN FUNCTIONS</strong>
                <br />
uses logic 
<br />
detail oriented 
<br />
facts rule 
<br />
words and language 
<br />
present and past 
<br />
math and science 
<br />
can comprehend 
<br />
knowing 
<br />
acknowledges 
<br />
order/pattern perception 
<br />
knows object name 
<br />
reality based 
<br />
forms strategies 
<br />
practical 
<br />
safe 
</td>
              <td valign="top" width="200">
                <p>
                  <strong>RIGHT BRAIN FUNCTIONS</strong>
                  <br />
uses feeling 
<br />
"big picture" oriented 
<br />
imagination rules 
<br />
symbols and images 
<br />
present and future 
<br />
philosophy &amp; religion 
<br />
can "get it" (i.e. meaning) 
<br />
believes 
<br />
appreciates 
<br />
spatial perception 
<br />
knows object function 
<br />
fantasy based 
<br />
presents possibilities 
<br />
impetuous 
<br />
risk taking
</p>
              </td>
            </tr>
          </tbody>
        </table>
        <img width="0" height="0" src="http://www.loosy-goosy-ness.com/aggbug.ashx?id=36b6d363-dc35-4eef-81d8-158376c3a29d" />
      </body>
      <title>The Right Brain vs Left Brain test</title>
      <guid isPermaLink="false">http://www.loosy-goosy-ness.com/PermaLink,guid,36b6d363-dc35-4eef-81d8-158376c3a29d.aspx</guid>
      <link>http://www.loosy-goosy-ness.com/2007/10/12/TheRightBrainVsLeftBrainTest.aspx</link>
      <pubDate>Fri, 12 Oct 2007 18:09:37 GMT</pubDate>
      <description>&lt;p&gt;
&lt;strong&gt;The Right Brain vs Left Brain test ... do you see the dancer turning clockwise
or anti-clockwise?&lt;/strong&gt;
&lt;/p&gt;
&lt;p align="left"&gt;
&lt;img id="id" src="http://www.news.com.au/common/imagedata/0,,5675247,00.gif" /&gt; 
&lt;/p&gt;
&lt;p&gt;
If clockwise, then you use more of the right side of the brain and vice versa. 
&lt;br /&gt;
Most of us would see the dancer turning anti-clockwise though you can try to focus
and change the direction; see if you can do it.
&lt;/p&gt;
&lt;table cellspacing="0" cellpadding="2" width="400" border="0"&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td valign="top" width="200"&gt;
&lt;strong&gt;LEFT BRAIN FUNCTIONS&lt;/strong&gt; 
&lt;br /&gt;
uses logic 
&lt;br /&gt;
detail oriented 
&lt;br /&gt;
facts rule 
&lt;br /&gt;
words and language 
&lt;br /&gt;
present and past 
&lt;br /&gt;
math and science 
&lt;br /&gt;
can comprehend 
&lt;br /&gt;
knowing 
&lt;br /&gt;
acknowledges 
&lt;br /&gt;
order/pattern perception 
&lt;br /&gt;
knows object name 
&lt;br /&gt;
reality based 
&lt;br /&gt;
forms strategies 
&lt;br /&gt;
practical 
&lt;br /&gt;
safe 
&lt;/td&gt;
&lt;td valign="top" width="200"&gt;
&lt;p&gt;
&lt;strong&gt;RIGHT BRAIN FUNCTIONS&lt;/strong&gt; 
&lt;br /&gt;
uses feeling 
&lt;br /&gt;
&amp;quot;big picture&amp;quot; oriented 
&lt;br /&gt;
imagination rules 
&lt;br /&gt;
symbols and images 
&lt;br /&gt;
present and future 
&lt;br /&gt;
philosophy &amp;amp; religion 
&lt;br /&gt;
can &amp;quot;get it&amp;quot; (i.e. meaning) 
&lt;br /&gt;
believes 
&lt;br /&gt;
appreciates 
&lt;br /&gt;
spatial perception 
&lt;br /&gt;
knows object function 
&lt;br /&gt;
fantasy based 
&lt;br /&gt;
presents possibilities 
&lt;br /&gt;
impetuous 
&lt;br /&gt;
risk taking
&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;img width="0" height="0" src="http://www.loosy-goosy-ness.com/aggbug.ashx?id=36b6d363-dc35-4eef-81d8-158376c3a29d" /&gt;</description>
      <category>EN</category>
      <category>science</category>
    </item>
    <item>
      <trackback:ping>http://www.loosy-goosy-ness.com/Trackback.aspx?guid=5797f2aa-d5cf-4e5e-9045-24d7646ef461</trackback:ping>
      <pingback:server>http://www.loosy-goosy-ness.com/pingback.aspx</pingback:server>
      <pingback:target>http://www.loosy-goosy-ness.com/PermaLink,guid,5797f2aa-d5cf-4e5e-9045-24d7646ef461.aspx</pingback:target>
      <dc:creator>Christian</dc:creator>
      <body xmlns="http://www.w3.org/1999/xhtml">
        <p align="center">
          <object height="350" width="425">
            <param name="movie" value="http://www.youtube.com/v/eSoruzRkj7g" />
            <param name="wmode" value="transparent" />
            <embed src="http://www.youtube.com/v/eSoruzRkj7g" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350">
            </embed>
          </object>
        </p>
        <img width="0" height="0" src="http://www.loosy-goosy-ness.com/aggbug.ashx?id=5797f2aa-d5cf-4e5e-9045-24d7646ef461" />
      </body>
      <title>A world without Romania</title>
      <guid isPermaLink="false">http://www.loosy-goosy-ness.com/PermaLink,guid,5797f2aa-d5cf-4e5e-9045-24d7646ef461.aspx</guid>
      <link>http://www.loosy-goosy-ness.com/2007/08/31/AWorldWithoutRomania.aspx</link>
      <pubDate>Fri, 31 Aug 2007 23:24:14 GMT</pubDate>
      <description>&lt;p align=center&gt;
&lt;object height=350 width=425&gt;
&lt;param name="movie" value="http://www.youtube.com/v/eSoruzRkj7g"&gt;
&lt;param name="wmode" value="transparent"&gt;
&lt;embed src="http://www.youtube.com/v/eSoruzRkj7g" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;
&lt;/object&gt;
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.loosy-goosy-ness.com/aggbug.ashx?id=5797f2aa-d5cf-4e5e-9045-24d7646ef461" /&gt;</description>
      <category>funny</category>
      <category>romania</category>
      <category>science</category>
      <category>society</category>
    </item>
    <item>
      <trackback:ping>http://www.loosy-goosy-ness.com/Trackback.aspx?guid=1f893666-0cf3-4245-b0c4-db058c92ff81</trackback:ping>
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      <dc:creator>Christian</dc:creator>
      <body xmlns="http://www.w3.org/1999/xhtml">
        <p>
        </p>
        <p>
[QUOTE]<br />
According to Gates, there are currently six trends, which will be determining Microsoft
and its product strategy for the years to come. In a rather unusual way, he mentioned
the dramatic changes in the way the hardware engines that will be fueling new applications
are engineered.
</p>
        <p>
The fact that performance advances have shifted from a pure increase of clock speed
to increased parallelism was described by Gates as a "<em>challenge</em>". He believes
that "<em>parallel execution will be the primary way silicon power will be delivered</em>"
down the road and not so much the fact that there is more clock speed available. According
to Gates, microprocessors will get to 10 GHz, "<em>but not much further</em>" (...)
"<em>even 5 to 6 years out</em>."<br />
[/QUOTE]
</p>
        <p>
Full Story: <a href="http://www.tgdaily.com/content/view/33096/113/">tgdaily.com</a></p>
        <img width="0" height="0" src="http://www.loosy-goosy-ness.com/aggbug.ashx?id=1f893666-0cf3-4245-b0c4-db058c92ff81" />
      </body>
      <title>Bill Gates sees processor clock speeds to top out at 10 GHz</title>
      <guid isPermaLink="false">http://www.loosy-goosy-ness.com/PermaLink,guid,1f893666-0cf3-4245-b0c4-db058c92ff81.aspx</guid>
      <link>http://www.loosy-goosy-ness.com/2007/07/27/BillGatesSeesProcessorClockSpeedsToTopOutAt10GHz.aspx</link>
      <pubDate>Fri, 27 Jul 2007 10:54:00 GMT</pubDate>
      <description>&lt;p&gt;
&lt;/p&gt;
&lt;p&gt;
[QUOTE]&lt;br&gt;
According to Gates, there are currently six trends, which will be determining Microsoft
and its product strategy for the years to come. In a rather unusual way, he mentioned
the dramatic changes in the way the hardware engines that will be fueling new applications
are engineered.
&lt;/p&gt;
&lt;p&gt;
The fact that performance advances have shifted from a pure increase of clock speed
to increased parallelism was described by Gates as a "&lt;em&gt;challenge&lt;/em&gt;". He believes
that "&lt;em&gt;parallel execution will be the primary way silicon power will be delivered&lt;/em&gt;"
down the road and not so much the fact that there is more clock speed available. According
to Gates, microprocessors will get to 10 GHz, "&lt;em&gt;but not much further&lt;/em&gt;" (...)
"&lt;em&gt;even 5 to 6 years out&lt;/em&gt;."&lt;br&gt;
[/QUOTE]
&lt;/p&gt;
&lt;p&gt;
Full Story: &lt;a href="http://www.tgdaily.com/content/view/33096/113/"&gt;tgdaily.com&lt;/a&gt;
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.loosy-goosy-ness.com/aggbug.ashx?id=1f893666-0cf3-4245-b0c4-db058c92ff81" /&gt;</description>
      <category>EN</category>
      <category>science</category>
      <category>tech</category>
    </item>
    <item>
      <trackback:ping>http://www.loosy-goosy-ness.com/Trackback.aspx?guid=b438d9b2-a35e-4818-8a9e-cee8c944f24c</trackback:ping>
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      <dc:creator>Christian</dc:creator>
      <body xmlns="http://www.w3.org/1999/xhtml">
        <p>
        </p>
        <p>
[QUOTE]<br />
Playing in two dimensions is easy enough, but what truly separates the men from the
boys? Maybe it’s when you give up your easel for a tool belt and get to work with
a hammer and chisel. These amazing sculptors took their talents 3-D. 
</p>
        <h4>
          <strong>1. Donatello (1386? - 1466)</strong>
        </h4>
        <p align="center">
          <table cellspacing="0" cellpadding="2" width="400" border="0" unselectable="on">
            <tbody>
              <tr>
                <td valign="top" width="200">
                  <img height="499" src="http://neatorama.cachefly.net/images/2007-05/donatello-david2.jpg" width="212" />
                </td>
                <td valign="top" width="200">
                  <img height="499" src="http://neatorama.cachefly.net/images/2007-05/donatello-st.george.jpg" width="198" />
                </td>
              </tr>
              <tr>
                <td valign="top" width="200">
 David in bronze 
<br />
(Photo Credit: <a href="http://www.flickr.com/photos/italiangerry/274537109/">italiangerry</a> [Flickr])</td>
                <td valign="top" width="200">
 St. George 
<br />
(bronze copy of the marble original) (Photo Credit: Jastrow [<a href="http://en.wikipedia.org/wiki/Image:St_George_Donatello_Orsanmichele_n1.jpg">wiki</a>]) 
</td>
              </tr>
            </tbody>
          </table>
        </p>
        <p>
          <br />
          <img height="164" src="http://neatorama.cachefly.net/images/2007-05/donatello.jpg" width="150" />
          <br />
Unquestionably the greatest sculptor of the early Renaissance, <a href="http://en.wikipedia.org/wiki/Donatello">Donatello</a> [wiki]
was born in Florence, though he traveled widely and was famous throughout Italy. Donatello
had complete mastery of bronze, stone, wood, and terra cotta, and nothing escaped
his extraordinary capabilities: relief <a href="http://www.neatorama.com/#">sculpture</a>,
nudes, equestrian statues, groups of figures, and single figures seated or standing.
In fact, he reinvented the art of sculpture just as other contemporaries were reinventing
the art of painting, and his innovations and discoveries were profoundly influential.
Above all, Donatello seemed to be able to bring sculpture to life by his ability to
tell a story, combine realism and powerful emotion, and create the impression that
his figures were more than mere objects of beauty for passive contemplation, but creations
filled with energy and thought, ready to spring into action.
</p>
        <h4>
          <strong>2. Michelangelo (1475 - 1564)</strong>
        </h4>
        <p align="center">
          <img height="653" src="http://neatorama.cachefly.net/images/2007-05/michaelangelo-david.jpg" width="500" />
          <br />
Michelangelo’s <a href="http://en.wikipedia.org/wiki/David_%28Michelangelo%29">David</a></p>
        <p align="center">
          <img height="547" src="http://neatorama.cachefly.net/images/2007-05/michealangelo-pieta.jpg" width="500" />
          <br />
Michelangelo’s <a href="http://en.wikipedia.org/wiki/Piet%C3%A0_%28Michelangelo%29">Pietà</a></p>
        <p>
          <img height="190" src="http://neatorama.cachefly.net/images/2007-05/michelangelo.jpg" width="150" />
          <br />
Clearly an outstanding genius, <a href="http://en.wikipedia.org/wiki/Michelangelo">Michelangelo</a>’s
[wiki] influence dominated European <a href="http://www.neatorama.com/#">art</a> until
Picasso changed the rules. A sculptor first, painter and architect second, Michelangelo
was a workaholic - a melancholic, temperamental, and lonely figure. He had a profound
belief in the human form (especially the male nude) as the ultimate expression of
human spirituality, sensibility, and beauty. In fact, Michelangelo’s early work shows
the human being as the measure of all things: idealized, muscular, confident, and
quasi-divine. Gradually that image becomes more expressive, more human, less perfect,
fallible, and flawed. He loved turning and twisting poses full of latent energy, and
faces that expressed the full range of human emotion. Endlessly inventive, he never
repeated a pose, although being a true Renaissance man, he was proud to borrow from
Greek and Roman precedents. 
</p>
        <h4>
          <strong>3. Gian Lorenzo Bernini (1598 - 1680)</strong>
        </h4>
        <p align="center">
          <img height="647" src="http://neatorama.cachefly.net/images/2007-05/bernini-apollo-daphne.jpg" width="500" />
          <br />
Bernini’s <a href="http://en.wikipedia.org/wiki/Apollo_and_Daphne_%28Bernini%29">Apollo
and Daphne</a></p>
        <p align="center">
          <img height="880" src="http://neatorama.cachefly.net/images/2007-05/bernini-rape-of-proserpina.jpg" width="500" />
          <br />
Bernini’s <a href="http://en.wikipedia.org/wiki/The_Rape_of_Proserpina_%28Bernini%29">Rape
of Proserpina</a></p>
        <p align="center">
          <img height="659" src="http://neatorama.cachefly.net/images/2007-05/bernini-david.jpg" width="500" />
          <br />
Bernini’s <a href="http://en.wikipedia.org/wiki/David_%28Bernini%29">David</a></p>
        <p>
          <img src="http://neatorama.cachefly.net/images/2007-05/bernini.jpg" />
          <br />
          <a href="http://en.wikipedia.org/wiki/Bernini">Bernini</a> [wiki] set sculpture free
from its previous occupation with earthly gravity and intellectual emotion, allowing
it to discover a new freedom that permitted it to move, soar, and have a visionary
and theatrical quality. A child prodigy, Bernini had a sparkling personality and brilliant
wit (he wrote comedies) - qualities that shine through his sculptures. He was also
a true visionary technically, able to carve marble so as to make it seem to move or
have the delicacy of the finest lace. At his best he blends sculpture, architecture,
and painting into an extravagant theatrical ensemble, especially in his fountains,
where the play of water and light over his larger-than-life human figures and animals
creates a vision that is literally out of this world. 
</p>
        <h4>
          <strong>4. Auguste Rodin (1840 - 1917)</strong>
        </h4>
        <p align="center">
          <img height="559" src="http://neatorama.cachefly.net/images/2007-05/rodin-thinker.jpg" width="500" />
          <br />
Rodin’s <a href="http://en.wikipedia.org/wiki/The_Thinker">The Thinker</a>, original
bronze cast at the Musée Rodin in Paris (Image credit: <a href="http://flickr.com/photos/brooksb/225449680/">a.muse.d</a> [Flickr]) 
</p>
        <p align="center">
          <img height="813" src="http://neatorama.cachefly.net/images/2007-05/rodin-gates-of-hell.jpg" width="500" />
          <br />
Rodin’s <a href="http://en.wikipedia.org/wiki/The_Gates_of_Hell">Gates of Hell</a>,
at the Rodin Museum in Philadelphia, Pennsylvania 
</p>
        <p align="center">
          <img height="595" src="http://neatorama.cachefly.net/images/2007-05/rodin-walking-man.jpg" width="450" />
          <br />
Rodin’s The Walking Man (Photo credit: <a href="http://commons.wikimedia.org/wiki/User:David.Monniaux">David.
Monniaux</a> [<a href="http://en.wikipedia.org/wiki/Image:Rodin_p1070095.jpg">wiki</a>]) 
</p>
        <p>
          <img src="http://neatorama.cachefly.net/images/2007-05/rodin.jpg" />
          <br />
          <a href="http://en.wikipedia.org/wiki/Auguste_Rodin">Rodin</a> [wiki] is the glorious,
triumphant finale to the sculptural tradition that starts with Donatello. He is rightly
spoken of in the same breath as Michelangelo, although they’re very different: Michelangelo
carved into marble whereas Rodin molded with clay. A shy workaholic, untidy, and physically
enormous, Rodin emerged from impoverished beginnings. He became an international celebrity
and was deeply attractive to smart women. Rodin was also well known for loving the
fluidity of clay and plaster, and was able to retain this quality even when his work
was cast in bronze, thereby magically releasing in his figures an extraordinary range
of human feelings and a sense of the unknown forces of nature. 
</p>
        <h4>
          <strong>5. Constantin Brancusi (1876 - 1957)</strong>
        </h4>
        <p align="center">
          <img height="450" src="http://neatorama.cachefly.net/images/2007-05/brancusi-the-kiss.jpg" width="353" />
          <br />
Brancusi’s The Kiss 
</p>
        <p align="center">
          <img height="600" src="http://neatorama.cachefly.net/images/2007-05/brancusi-endless-column.jpg" width="400" />
          <br />
Brancusi’s <a href="http://en.wikipedia.org/wiki/The_Endless_Column">The Endless Column</a></p>
        <p>
          <img src="http://neatorama.cachefly.net/images/2007-05/brancusi.jpg" />
          <br />
          <a href="http://en.wikipedia.org/wiki/Constantin_Brancusi">Brancusi</a> [wiki] is
one of the seminal figures of 20th-century art with a profound influence on sculpture
and design. Born into a Romanian peasant family, he settled in Paris in 1904, becoming
a student of Rodin. Amazingly, Brancusi remained indifferent to honor and fame. At
the heart of his work is a tireless refinement and search for purity. Never abstract,
his work always references something recognizable in nature. Brancusi believed in
the maxim "Truth to materials," and he always brought out the inherent quality of
each material that he used. The purity and simplicity of his form touch something
very basic in the human psyche, just as does, for example, the sound of the waves
of the sea.<br />
[/QUOTE]
</p>
        <p>
          <strong>Source:</strong>
          <a title="http://www.neatorama.com/2007/05/15/5-greatest-sculptors-of-all-time" href="http://www.neatorama.com/2007/05/15/5-greatest-sculptors-of-all-time">http://www.neatorama.com/2007/05/15/5-greatest-sculptors-of-all-time</a>
        </p>
        <img width="0" height="0" src="http://www.loosy-goosy-ness.com/aggbug.ashx?id=b438d9b2-a35e-4818-8a9e-cee8c944f24c" />
      </body>
      <title>5 Greatest Sculptors of All Time</title>
      <guid isPermaLink="false">http://www.loosy-goosy-ness.com/PermaLink,guid,b438d9b2-a35e-4818-8a9e-cee8c944f24c.aspx</guid>
      <link>http://www.loosy-goosy-ness.com/2007/05/17/5GreatestSculptorsOfAllTime.aspx</link>
      <pubDate>Thu, 17 May 2007 10:49:51 GMT</pubDate>
      <description>&lt;p&gt;
&lt;/p&gt;
&lt;p&gt;
[QUOTE]&lt;br&gt;
Playing in two dimensions is easy enough, but what truly separates the men from the
boys? Maybe it’s when you give up your easel for a tool belt and get to work with
a hammer and chisel. These amazing sculptors took their talents 3-D. 
&lt;h4&gt;&lt;strong&gt;1. Donatello (1386? - 1466)&lt;/strong&gt;
&lt;/h4&gt;
&lt;p align=center&gt;
&lt;table cellspacing=0 cellpadding=2 width=400 border=0 unselectable="on"&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td valign=top width=200&gt;
&lt;img height=499 src="http://neatorama.cachefly.net/images/2007-05/donatello-david2.jpg" width=212&gt;&lt;/td&gt;
&lt;td valign=top width=200&gt;
&lt;img height=499 src="http://neatorama.cachefly.net/images/2007-05/donatello-st.george.jpg" width=198&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign=top width=200&gt;
&amp;nbsp;David in bronze 
&lt;br&gt;
(Photo Credit: &lt;a href="http://www.flickr.com/photos/italiangerry/274537109/"&gt;italiangerry&lt;/a&gt; [Flickr])&lt;/td&gt;
&lt;td valign=top width=200&gt;
&amp;nbsp;St. George 
&lt;br&gt;
(bronze copy of the marble original) (Photo Credit: Jastrow [&lt;a href="http://en.wikipedia.org/wiki/Image:St_George_Donatello_Orsanmichele_n1.jpg"&gt;wiki&lt;/a&gt;]) 
&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;br&gt;
&lt;img height=164 src="http://neatorama.cachefly.net/images/2007-05/donatello.jpg" width=150&gt;
&lt;br&gt;
Unquestionably the greatest sculptor of the early Renaissance, &lt;a href="http://en.wikipedia.org/wiki/Donatello"&gt;Donatello&lt;/a&gt; [wiki]
was born in Florence, though he traveled widely and was famous throughout Italy. Donatello
had complete mastery of bronze, stone, wood, and terra cotta, and nothing escaped
his extraordinary capabilities: relief &lt;a href="http://www.neatorama.com/#"&gt;sculpture&lt;/a&gt;,
nudes, equestrian statues, groups of figures, and single figures seated or standing.
In fact, he reinvented the art of sculpture just as other contemporaries were reinventing
the art of painting, and his innovations and discoveries were profoundly influential.
Above all, Donatello seemed to be able to bring sculpture to life by his ability to
tell a story, combine realism and powerful emotion, and create the impression that
his figures were more than mere objects of beauty for passive contemplation, but creations
filled with energy and thought, ready to spring into action.
&lt;/p&gt;
&lt;h4&gt;&lt;strong&gt;2. Michelangelo (1475 - 1564)&lt;/strong&gt;
&lt;/h4&gt;
&lt;p align=center&gt;
&lt;img height=653 src="http://neatorama.cachefly.net/images/2007-05/michaelangelo-david.jpg" width=500&gt;
&lt;br&gt;
Michelangelo’s &lt;a href="http://en.wikipedia.org/wiki/David_%28Michelangelo%29"&gt;David&lt;/a&gt; 
&lt;/p&gt;
&lt;p align=center&gt;
&lt;img height=547 src="http://neatorama.cachefly.net/images/2007-05/michealangelo-pieta.jpg" width=500&gt;
&lt;br&gt;
Michelangelo’s &lt;a href="http://en.wikipedia.org/wiki/Piet%C3%A0_%28Michelangelo%29"&gt;Pietà&lt;/a&gt; 
&lt;/p&gt;
&lt;p&gt;
&lt;img height=190 src="http://neatorama.cachefly.net/images/2007-05/michelangelo.jpg" width=150&gt;
&lt;br&gt;
Clearly an outstanding genius, &lt;a href="http://en.wikipedia.org/wiki/Michelangelo"&gt;Michelangelo&lt;/a&gt;’s
[wiki] influence dominated European &lt;a href="http://www.neatorama.com/#"&gt;art&lt;/a&gt; until
Picasso changed the rules. A sculptor first, painter and architect second, Michelangelo
was a workaholic - a melancholic, temperamental, and lonely figure. He had a profound
belief in the human form (especially the male nude) as the ultimate expression of
human spirituality, sensibility, and beauty. In fact, Michelangelo’s early work shows
the human being as the measure of all things: idealized, muscular, confident, and
quasi-divine. Gradually that image becomes more expressive, more human, less perfect,
fallible, and flawed. He loved turning and twisting poses full of latent energy, and
faces that expressed the full range of human emotion. Endlessly inventive, he never
repeated a pose, although being a true Renaissance man, he was proud to borrow from
Greek and Roman precedents. 
&lt;/p&gt;
&lt;h4&gt;&lt;strong&gt;3. Gian Lorenzo Bernini (1598 - 1680)&lt;/strong&gt;
&lt;/h4&gt;
&lt;p align=center&gt;
&lt;img height=647 src="http://neatorama.cachefly.net/images/2007-05/bernini-apollo-daphne.jpg" width=500&gt;
&lt;br&gt;
Bernini’s &lt;a href="http://en.wikipedia.org/wiki/Apollo_and_Daphne_%28Bernini%29"&gt;Apollo
and Daphne&lt;/a&gt; 
&lt;/p&gt;
&lt;p align=center&gt;
&lt;img height=880 src="http://neatorama.cachefly.net/images/2007-05/bernini-rape-of-proserpina.jpg" width=500&gt;
&lt;br&gt;
Bernini’s &lt;a href="http://en.wikipedia.org/wiki/The_Rape_of_Proserpina_%28Bernini%29"&gt;Rape
of Proserpina&lt;/a&gt; 
&lt;/p&gt;
&lt;p align=center&gt;
&lt;img height=659 src="http://neatorama.cachefly.net/images/2007-05/bernini-david.jpg" width=500&gt;
&lt;br&gt;
Bernini’s &lt;a href="http://en.wikipedia.org/wiki/David_%28Bernini%29"&gt;David&lt;/a&gt; 
&lt;/p&gt;
&lt;p&gt;
&lt;img src="http://neatorama.cachefly.net/images/2007-05/bernini.jpg"&gt;
&lt;br&gt;
&lt;a href="http://en.wikipedia.org/wiki/Bernini"&gt;Bernini&lt;/a&gt; [wiki] set sculpture free
from its previous occupation with earthly gravity and intellectual emotion, allowing
it to discover a new freedom that permitted it to move, soar, and have a visionary
and theatrical quality. A child prodigy, Bernini had a sparkling personality and brilliant
wit (he wrote comedies) - qualities that shine through his sculptures. He was also
a true visionary technically, able to carve marble so as to make it seem to move or
have the delicacy of the finest lace. At his best he blends sculpture, architecture,
and painting into an extravagant theatrical ensemble, especially in his fountains,
where the play of water and light over his larger-than-life human figures and animals
creates a vision that is literally out of this world. 
&lt;/p&gt;
&lt;h4&gt;&lt;strong&gt;4. Auguste Rodin (1840 - 1917)&lt;/strong&gt;
&lt;/h4&gt;
&lt;p align=center&gt;
&lt;img height=559 src="http://neatorama.cachefly.net/images/2007-05/rodin-thinker.jpg" width=500&gt;
&lt;br&gt;
Rodin’s &lt;a href="http://en.wikipedia.org/wiki/The_Thinker"&gt;The Thinker&lt;/a&gt;, original
bronze cast at the Musée Rodin in Paris (Image credit: &lt;a href="http://flickr.com/photos/brooksb/225449680/"&gt;a.muse.d&lt;/a&gt; [Flickr]) 
&lt;/p&gt;
&lt;p align=center&gt;
&lt;img height=813 src="http://neatorama.cachefly.net/images/2007-05/rodin-gates-of-hell.jpg" width=500&gt;
&lt;br&gt;
Rodin’s &lt;a href="http://en.wikipedia.org/wiki/The_Gates_of_Hell"&gt;Gates of Hell&lt;/a&gt;,
at the Rodin Museum in Philadelphia, Pennsylvania 
&lt;/p&gt;
&lt;p align=center&gt;
&lt;img height=595 src="http://neatorama.cachefly.net/images/2007-05/rodin-walking-man.jpg" width=450&gt;
&lt;br&gt;
Rodin’s The Walking Man (Photo credit: &lt;a href="http://commons.wikimedia.org/wiki/User:David.Monniaux"&gt;David.
Monniaux&lt;/a&gt; [&lt;a href="http://en.wikipedia.org/wiki/Image:Rodin_p1070095.jpg"&gt;wiki&lt;/a&gt;]) 
&lt;/p&gt;
&lt;p&gt;
&lt;img src="http://neatorama.cachefly.net/images/2007-05/rodin.jpg"&gt;
&lt;br&gt;
&lt;a href="http://en.wikipedia.org/wiki/Auguste_Rodin"&gt;Rodin&lt;/a&gt; [wiki] is the glorious,
triumphant finale to the sculptural tradition that starts with Donatello. He is rightly
spoken of in the same breath as Michelangelo, although they’re very different: Michelangelo
carved into marble whereas Rodin molded with clay. A shy workaholic, untidy, and physically
enormous, Rodin emerged from impoverished beginnings. He became an international celebrity
and was deeply attractive to smart women. Rodin was also well known for loving the
fluidity of clay and plaster, and was able to retain this quality even when his work
was cast in bronze, thereby magically releasing in his figures an extraordinary range
of human feelings and a sense of the unknown forces of nature. 
&lt;/p&gt;
&lt;h4&gt;&lt;strong&gt;5. Constantin Brancusi (1876 - 1957)&lt;/strong&gt;
&lt;/h4&gt;
&lt;p align=center&gt;
&lt;img height=450 src="http://neatorama.cachefly.net/images/2007-05/brancusi-the-kiss.jpg" width=353&gt;
&lt;br&gt;
Brancusi’s The Kiss 
&lt;/p&gt;
&lt;p align=center&gt;
&lt;img height=600 src="http://neatorama.cachefly.net/images/2007-05/brancusi-endless-column.jpg" width=400&gt;
&lt;br&gt;
Brancusi’s &lt;a href="http://en.wikipedia.org/wiki/The_Endless_Column"&gt;The Endless Column&lt;/a&gt; 
&lt;/p&gt;
&lt;p&gt;
&lt;img src="http://neatorama.cachefly.net/images/2007-05/brancusi.jpg"&gt;
&lt;br&gt;
&lt;a href="http://en.wikipedia.org/wiki/Constantin_Brancusi"&gt;Brancusi&lt;/a&gt; [wiki] is
one of the seminal figures of 20th-century art with a profound influence on sculpture
and design. Born into a Romanian peasant family, he settled in Paris in 1904, becoming
a student of Rodin. Amazingly, Brancusi remained indifferent to honor and fame. At
the heart of his work is a tireless refinement and search for purity. Never abstract,
his work always references something recognizable in nature. Brancusi believed in
the maxim "Truth to materials," and he always brought out the inherent quality of
each material that he used. The purity and simplicity of his form touch something
very basic in the human psyche, just as does, for example, the sound of the waves
of the sea.&lt;br&gt;
[/QUOTE]
&lt;/p&gt;
&lt;p&gt;
&lt;strong&gt;Source:&lt;/strong&gt; &lt;a title=http://www.neatorama.com/2007/05/15/5-greatest-sculptors-of-all-time href="http://www.neatorama.com/2007/05/15/5-greatest-sculptors-of-all-time"&gt;http://www.neatorama.com/2007/05/15/5-greatest-sculptors-of-all-time&lt;/a&gt;
&lt;/p&gt;
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      <category>EN</category>
      <category>romania</category>
      <category>science</category>
      <category>arts</category>
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      <dc:creator>Christian</dc:creator>
      <body xmlns="http://www.w3.org/1999/xhtml">
        <p>
        </p>
        <p>
          <strong>[QUOTE]</strong>
          <br />
Die mit vielen Vorschusslorbeeren bedachten "serviceorientierten <strong>Architekturen</strong>",
die in der IT eine neue Managementstruktur widerspiegeln sollen, funktionieren oft
nicht, ergab eine Untersuchung der britischen Marktforscher.
</p>
        <p>
          <a href="http://ad.de.doubleclick.net/click;h=v8/34d7/0/0/%2a/e;44306;0-0;0;10946410;31-1/1;0/0/0;;~sscs=%3f">
            <img alt="Click here to find out more!" src="http://m.de.2mdn.net/viewad/817-grey.gif" border="0" />
          </a>Zwar
werden service-orientierte Architekturen (SOA) in den nächsten fünf Jahren massiv
verändern, wie IT-Abteilung und Unternehmen zusammenarbeiten, stellt die Butler Group
in ihrer neuen Studie "<a href="http://www.butlergroup.com/research/reportHomepages/SOA.asp">Planning
and Implementing SOA</a>" fest. Doch die wenigen Unternehmen, die bereits Tests mit
der SOA durchführten, neigten dazu, erst die internen Geschäftsprozesse umzugestalten
und dann erst die IT in den betroffenen Bereichen anzupassen.
</p>
        <p>
Mike Thompson, Co-Autor der Studie: "Viele konzentrieren sich auf die Technik, die
direkt mit einer SOA verbunden ist, aber beschäftigen sich nicht mit der, die die
Geschäftsprozesse steuern soll". Ein Mangel an Expertise im eigenen Haus und ungenügender
Festlegung, wer wie mitreden will, führe zu Problemen beim Datenmanagement, der Performance,
Sicherheit und der Dienste-Verfügbarkeit.
</p>
        <p>
Nur etwa 8 Prozent der befragten 80 IT-Manager größerer Unternehmen hat bereits eine
SOA installiert, 17 Prozent beschäftigten sich mit Versuchen, und 36 Prozent überprüften
noch, ob SOA überhaupt in Frage kommt.
</p>
        <p>
Fazit der Studie ist, nicht gleich alles umzukrempeln, sondern mit einem konkreten
Geschäftsproblem zu beginnen, daraus zu lernen und anhand dieser Erfahrungen vom Kleinen
zum Großen zu gelangen. Das Inhaltsvezeichnis der Studie mit wertvollen Tipps für
Unternehmen, die SOA einführen wollen, <a href="http://www.butlergroup.com/research/reportHomepages/Planning%20and%20Implementing%20SOA/SOA_contents.pdf">stellt
Butler als PDF online</a>. Die komplette Studie ist kostenpflichtig erhältlich.
</p>
        <p>
          <a href="http://www.bea.com/framework.jsp?CNT=exec_levy.htm&amp;FP=/content/about/corporate">Rob
Levy</a>, Cheftechniker beim Unternehmens-Software-Anbieter <a href="http://www.bea.com/framework.jsp?CNT=homepage_main.jsp&amp;FP=/content">BEA
Systems</a>, bekräftigt diese Erfahrungen gegenüber VNU: "Das A in SOA sollte man
nicht als 'Architecture', sondern als 'Attitude' sehen." Nicht umsonst ist der Amerikaner
darauf versessen, nutzerfreundliche Web-2.0-Techniken in seine Infrastrukturlösungen
zu integrieren, die hinter der SOA stehen. Levy: "Auch Firmen werden künftig mehr
von unten gesteuert und nicht mehr nur von einem Ober-Zampano, der allen anderen erklärt,
wie sie zu arbeiten haben". Entsprechend solle auch an die Implementierung von SOA-Software
herangegangen werden.<br /><strong>[/QUOTE]</strong></p>
        <p>
Quelle: <a title="http://www.testticker.de/news/professional_computing/news20070110011.aspx" href="http://www.testticker.de/news/professional_computing/news20070110011.aspx">http://www.testticker.de/news/professional_computing/news20070110011.aspx</a></p>
        <img width="0" height="0" src="http://www.loosy-goosy-ness.com/aggbug.ashx?id=7a2b5039-c8c5-469f-9a10-ec870fd49f96" />
      </body>
      <title>Butler Group: &amp;quot;Viele Unternehmen scheitern an der SOA&amp;quot;</title>
      <guid isPermaLink="false">http://www.loosy-goosy-ness.com/PermaLink,guid,7a2b5039-c8c5-469f-9a10-ec870fd49f96.aspx</guid>
      <link>http://www.loosy-goosy-ness.com/2007/01/12/ButlerGroupQuotVieleUnternehmenScheiternAnDerSOAquot.aspx</link>
      <pubDate>Fri, 12 Jan 2007 11:02:52 GMT</pubDate>
      <description>&lt;p&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;strong&gt;[QUOTE]&lt;/strong&gt;
&lt;br&gt;
Die mit vielen Vorschusslorbeeren bedachten "serviceorientierten &lt;strong&gt;Architekturen&lt;/strong&gt;",
die in der IT eine neue Managementstruktur widerspiegeln sollen, funktionieren oft
nicht, ergab eine Untersuchung der britischen Marktforscher.
&lt;/p&gt;
&lt;p&gt;
&lt;a href="http://ad.de.doubleclick.net/click;h=v8/34d7/0/0/%2a/e;44306;0-0;0;10946410;31-1/1;0/0/0;;~sscs=%3f"&gt;&lt;img alt="Click here to find out more!" src="http://m.de.2mdn.net/viewad/817-grey.gif" border=0&gt;&lt;/a&gt;Zwar
werden service-orientierte Architekturen (SOA) in den nächsten fünf Jahren massiv
verändern, wie IT-Abteilung und Unternehmen zusammenarbeiten, stellt die Butler Group
in ihrer neuen Studie "&lt;a href="http://www.butlergroup.com/research/reportHomepages/SOA.asp"&gt;Planning
and Implementing SOA&lt;/a&gt;" fest. Doch die wenigen Unternehmen, die bereits Tests mit
der SOA durchführten, neigten dazu, erst die internen Geschäftsprozesse umzugestalten
und dann erst die IT in den betroffenen Bereichen anzupassen.
&lt;/p&gt;
&lt;p&gt;
Mike Thompson, Co-Autor der Studie: "Viele konzentrieren sich auf die Technik, die
direkt mit einer SOA verbunden ist, aber beschäftigen sich nicht mit der, die die
Geschäftsprozesse steuern soll". Ein Mangel an Expertise im eigenen Haus und ungenügender
Festlegung, wer wie mitreden will, führe zu Problemen beim Datenmanagement, der Performance,
Sicherheit und der Dienste-Verfügbarkeit.
&lt;/p&gt;
&lt;p&gt;
Nur etwa 8 Prozent der befragten 80 IT-Manager größerer Unternehmen hat bereits eine
SOA installiert, 17 Prozent beschäftigten sich mit Versuchen, und 36 Prozent überprüften
noch, ob SOA überhaupt in Frage kommt.
&lt;/p&gt;
&lt;p&gt;
Fazit der Studie ist, nicht gleich alles umzukrempeln, sondern mit einem konkreten
Geschäftsproblem zu beginnen, daraus zu lernen und anhand dieser Erfahrungen vom Kleinen
zum Großen zu gelangen. Das Inhaltsvezeichnis der Studie mit wertvollen Tipps für
Unternehmen, die SOA einführen wollen, &lt;a href="http://www.butlergroup.com/research/reportHomepages/Planning%20and%20Implementing%20SOA/SOA_contents.pdf"&gt;stellt
Butler als PDF online&lt;/a&gt;. Die komplette Studie ist kostenpflichtig erhältlich.
&lt;/p&gt;
&lt;p&gt;
&lt;a href="http://www.bea.com/framework.jsp?CNT=exec_levy.htm&amp;amp;FP=/content/about/corporate"&gt;Rob
Levy&lt;/a&gt;, Cheftechniker beim Unternehmens-Software-Anbieter &lt;a href="http://www.bea.com/framework.jsp?CNT=homepage_main.jsp&amp;amp;FP=/content"&gt;BEA
Systems&lt;/a&gt;, bekräftigt diese Erfahrungen gegenüber VNU: "Das A in SOA sollte man
nicht als 'Architecture', sondern als 'Attitude' sehen." Nicht umsonst ist der Amerikaner
darauf versessen, nutzerfreundliche Web-2.0-Techniken in seine Infrastrukturlösungen
zu integrieren, die hinter der SOA stehen. Levy: "Auch Firmen werden künftig mehr
von unten gesteuert und nicht mehr nur von einem Ober-Zampano, der allen anderen erklärt,
wie sie zu arbeiten haben". Entsprechend solle auch an die Implementierung von SOA-Software
herangegangen werden.&lt;br&gt;
&lt;strong&gt;[/QUOTE]&lt;/strong&gt;
&lt;/p&gt;
&lt;p&gt;
Quelle: &lt;a title=http://www.testticker.de/news/professional_computing/news20070110011.aspx href="http://www.testticker.de/news/professional_computing/news20070110011.aspx"&gt;http://www.testticker.de/news/professional_computing/news20070110011.aspx&lt;/a&gt;
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.loosy-goosy-ness.com/aggbug.ashx?id=7a2b5039-c8c5-469f-9a10-ec870fd49f96" /&gt;</description>
      <category>DE</category>
      <category>markets</category>
      <category>science</category>
      <category>SOA</category>
    </item>
    <item>
      <trackback:ping>http://www.loosy-goosy-ness.com/Trackback.aspx?guid=b6e05cb4-5a9e-43b9-a785-1147b23faafb</trackback:ping>
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      <dc:creator>Christian</dc:creator>
      <body xmlns="http://www.w3.org/1999/xhtml">
        <p>
Moving with the stealth and style of a startup, mighty Microsoft Corp. today has
released a point-and-click software tool designed to make it easier to program simple
robots.
</p>
        <p>
          <strong>[QUOTE]</strong>
          <br />
          <b>REDMOND, Wash. — Dec. 12, 2006 — </b>Among the many remarkable innovations emerging
out of the robotics industry, from surveillance robots that can defuse roadside bombs
to robotic arms that perform surgeries, one persistent challenge has been the lack
of a common development platform that would allow developers to easily create robotic
applications for varied hardware platforms. Today, Microsoft Corp. is closing this
gap with the release of Microsoft<sup>®</sup> Robotics Studio, a new Windows<sup>®</sup>-based
development environment for creating robotic software for a wide variety of hardware
platforms. Microsoft also introduced a new third-party partner program featuring Microsoft
Robotics Studio-enabled applications, services and robots from independent software
vendors, service providers, hardware component vendors and robot manufacturers. Already
more than 30 third-party companies have pledged support for the new robotics development
and runtime platform, which is available for download and evaluation at <a href="http://microsoft.com/robotics">http://microsoft.com/robotics</a>. 
<br /><strong>[/QUOTE]</strong></p>
        <p>
          <strong>Source: <a title="http://www.microsoft.com/presspass/press/2006/dec06/12-12MSRoboticsStudioAvailablePR.mspx" href="http://www.microsoft.com/presspass/press/2006/dec06/12-12MSRoboticsStudioAvailablePR.mspx">http://www.microsoft.com/presspass/press/2006/dec06/12-12MSRoboticsStudioAvailablePR.mspx</a></strong>
        </p>
        <img width="0" height="0" src="http://www.loosy-goosy-ness.com/aggbug.ashx?id=b6e05cb4-5a9e-43b9-a785-1147b23faafb" />
      </body>
      <title>Microsoft Robotics Studio Now Available to Provide Common Development Platform</title>
      <guid isPermaLink="false">http://www.loosy-goosy-ness.com/PermaLink,guid,b6e05cb4-5a9e-43b9-a785-1147b23faafb.aspx</guid>
      <link>http://www.loosy-goosy-ness.com/2006/12/13/MicrosoftRoboticsStudioNowAvailableToProvideCommonDevelopmentPlatform.aspx</link>
      <pubDate>Wed, 13 Dec 2006 14:00:05 GMT</pubDate>
      <description>&lt;p&gt;
Moving with the stealth and style of a startup, mighty Microsoft Corp. today&amp;nbsp;has
released a point-and-click software tool designed to make it easier to program simple
robots.
&lt;/p&gt;
&lt;p&gt;
&lt;strong&gt;[QUOTE]&lt;/strong&gt;
&lt;br&gt;
&lt;b&gt;REDMOND, Wash. — Dec. 12, 2006 — &lt;/b&gt;Among the many remarkable innovations emerging
out of the robotics industry, from surveillance robots that can defuse roadside bombs
to robotic arms that perform surgeries, one persistent challenge has been the lack
of a common development platform that would allow developers to easily create robotic
applications for varied hardware platforms. Today, Microsoft Corp. is closing this
gap with the release of Microsoft&lt;sup&gt;®&lt;/sup&gt; Robotics Studio, a new Windows&lt;sup&gt;®&lt;/sup&gt;-based
development environment for creating robotic software for a wide variety of hardware
platforms. Microsoft also introduced a new third-party partner program featuring Microsoft
Robotics Studio-enabled applications, services and robots from independent software
vendors, service providers, hardware component vendors and robot manufacturers. Already
more than 30 third-party companies have pledged support for the new robotics development
and runtime platform, which is available for download and evaluation at &lt;a href="http://microsoft.com/robotics"&gt;http://microsoft.com/robotics&lt;/a&gt;. 
&lt;br&gt;
&lt;strong&gt;[/QUOTE]&lt;/strong&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;strong&gt;Source: &lt;a title="http://www.microsoft.com/presspass/press/2006/dec06/12-12MSRoboticsStudioAvailablePR.mspx" href="http://www.microsoft.com/presspass/press/2006/dec06/12-12MSRoboticsStudioAvailablePR.mspx"&gt;http://www.microsoft.com/presspass/press/2006/dec06/12-12MSRoboticsStudioAvailablePR.mspx&lt;/a&gt;&lt;/strong&gt;
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.loosy-goosy-ness.com/aggbug.ashx?id=b6e05cb4-5a9e-43b9-a785-1147b23faafb" /&gt;</description>
      <category>EN</category>
      <category>microsoft</category>
      <category>science</category>
      <category>tech</category>
    </item>
    <item>
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      <dc:creator>Christian</dc:creator>
      <body xmlns="http://www.w3.org/1999/xhtml">
        <p>
An actual statistic of the university of Karlsruhe shows a <strong>increase of SPAM</strong> in
this year, especially <strong>in the last 2 months</strong>.
</p>
        <p align="center">
          <img title="SPAM" height="480" alt="spamplot-week.png" src="http://www.loosy-goosy-ness.com/content/binary/spamplot-week.png" width="832" border="0" />
        </p>
        <p>
          <strong>ACCORDING TO A RECENT STUDY</strong> by the European Commission, over half
of all e-mails sent in the EU are spam, with some users having up to 80 per cent of
their inboxes full of the stuff. The biggest spammers of them all, apparently, are
in the United States which spews about 21.6 per cent of all spam. China's a troublemaker
too, with 13.4 per cent of spam coming from China. 
</p>
        <img width="0" height="0" src="http://www.loosy-goosy-ness.com/aggbug.ashx?id=7ba7e32b-7e08-443c-a6a9-be3796283085" />
      </body>
      <title>EU plagued by foreign spam</title>
      <guid isPermaLink="false">http://www.loosy-goosy-ness.com/PermaLink,guid,7ba7e32b-7e08-443c-a6a9-be3796283085.aspx</guid>
      <link>http://www.loosy-goosy-ness.com/2006/11/28/EUPlaguedByForeignSpam.aspx</link>
      <pubDate>Tue, 28 Nov 2006 23:47:27 GMT</pubDate>
      <description>&lt;p&gt;
An actual statistic of the university of Karlsruhe shows a &lt;strong&gt;increase of SPAM&lt;/strong&gt; in
this year, especially &lt;strong&gt;in the last 2 months&lt;/strong&gt;.
&lt;/p&gt;
&lt;p align=center&gt;
&lt;img title=SPAM height=480 alt=spamplot-week.png src="http://www.loosy-goosy-ness.com/content/binary/spamplot-week.png" width=832 border=0&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;strong&gt;ACCORDING TO A RECENT STUDY&lt;/strong&gt; by the European Commission, over half
of all e-mails sent in the EU are spam, with some users having up to 80 per cent of
their inboxes full of the stuff. The biggest spammers of them all, apparently, are
in the United States which spews about 21.6 per cent of all spam. China's a troublemaker
too, with 13.4 per cent of spam coming from China. 
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.loosy-goosy-ness.com/aggbug.ashx?id=7ba7e32b-7e08-443c-a6a9-be3796283085" /&gt;</description>
      <category>EN</category>
      <category>science</category>
      <category>tech</category>
    </item>
    <item>
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      <dc:creator>Christian</dc:creator>
      <body xmlns="http://www.w3.org/1999/xhtml">
        <p>
Today I've modelled (in UML) a <strong>metamodel for</strong><strong>modelling methods
components</strong>, this model is preaty useful to visualize the difference between
notation, syntax, semantic and also between a "modelling method" and a "modelling
technique".
</p>
        <p align="center">
          <img title="Modelling Metamodel" height="339" alt="Modelling_Metamodel.gif" src="http://www.loosy-goosy-ness.com/content/binary/Modelling_Metamodel.gif" width="557" border="0" />
        </p>
        <p align="left">
          <strong>Modelling tool:</strong> the good old MS Powerpoint :)
</p>
        <img width="0" height="0" src="http://www.loosy-goosy-ness.com/aggbug.ashx?id=6df69ade-0705-44cf-b190-9c9fd87e7966" />
      </body>
      <title>A metamodel for modeling methods components</title>
      <guid isPermaLink="false">http://www.loosy-goosy-ness.com/PermaLink,guid,6df69ade-0705-44cf-b190-9c9fd87e7966.aspx</guid>
      <link>http://www.loosy-goosy-ness.com/2006/11/23/AMetamodelForModelingMethodsComponents.aspx</link>
      <pubDate>Thu, 23 Nov 2006 19:04:49 GMT</pubDate>
      <description>&lt;p&gt;
Today I've modelled (in UML) a &lt;strong&gt;metamodel for&lt;/strong&gt; &lt;strong&gt;modelling methods
components&lt;/strong&gt;, this model is preaty useful to visualize the difference between
notation, syntax,&amp;nbsp;semantic and also between a "modelling method" and a "modelling
technique".
&lt;/p&gt;
&lt;p align=center&gt;
&lt;img title="Modelling Metamodel" height=339 alt=Modelling_Metamodel.gif src="http://www.loosy-goosy-ness.com/content/binary/Modelling_Metamodel.gif" width=557 border=0&gt;
&lt;/p&gt;
&lt;p align=left&gt;
&lt;strong&gt;Modelling tool:&lt;/strong&gt; the good old MS Powerpoint :)
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.loosy-goosy-ness.com/aggbug.ashx?id=6df69ade-0705-44cf-b190-9c9fd87e7966" /&gt;</description>
      <category>EN</category>
      <category>science</category>
    </item>
  </channel>
</rss>